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MZed Alex Buono\u2019s Visual Storytelling 2 Free Download Latest . It is of MZed Alex Buono\u2019s Visual Storytelling 2 free download.<\/p>\n
Please note: Videos 9 and 11 are missing.<\/strong><\/p>\n Building on the curriculum of \u201cThe Art of Visual Storytelling\u201d, Alex Buono deconstructs the architecture of visual style, and through live demonstration shows you how to recreate various genres and looks on almost any budget. In the second part of the course Alex gives a masterclass on Visual Subtext, explaining the \u201cwhy\u201d behind the \u201chow\u201d.<\/p>\n Drawing on his experience as the Director of Photography for the Saturday Night Live film unit for 17 years, Alex is able to instantly deconstruct and replicate almost any genre or visual style. His work as a Cinematographer and Producer have earned him an Academy Award nomination as well as multiple film festival awards.<\/p>\n \u2013 \u2013 \u2013 MODULES \u2013 \u2013 \u2013<\/p>\n Case Study: \u201cSNL Title Sequence\u201d<\/strong> Live Demo I: Custom Bokeh and Pixel Stick<\/strong> Live Demo II: Free Lensing<\/strong> The Components of Visual Style<\/strong> Live Demo III: Firelight Scene<\/strong> Live Demo IV: Mixed Color Temperatures<\/strong> Deconstructing Doc Style<\/strong> Live Demo V: Interviews<\/strong> Live Demo VI: Driving Scene MISSING<\/strong> Day Exteriors<\/strong> Live Demo VII: Music Videos MISSING<\/strong> Lens Selection<\/strong> Color Correction<\/strong> Alex\u2019s Biggest Mistakes<\/strong> Understanding Visual Subtext<\/strong> Getting started with Visual Subtext<\/strong> You May Also Like Latest Post Craft 5k \u2013 Wedding FIlmmaking Masterclass<\/a><\/strong><\/p>\n <\/p>\n
\nAlex opens the course with an overview of the complete syllabus, then dives straight into a case study on visual style using the SNL 40th anniversary title sequence.<\/p>\n
\nIn the first live demos of the course Alex takes us through two creative practical effects he used on the SNL 40th anniversary sequence \u2013 custom bokeh and the pixel stick \u2013 and shows how to execute the same effects.<\/p>\n
\nAlex continues to showcase the in-camera effects that helped to create his memorable SNL intro, and in this module he guides us through an example of \u201cfree lensing\u201d or \u201clens whacking\u201d which gives a dreamy aesthetic to shots.<\/p>\n
\nIn this module Alex breaks down the components of visual style, and explains the strategy that he\u2019s used on Saturday Night Live to faithfully recreate the exact look and feel of Hollywood blockbusters, Documentaries, Promos, Music Videos, Reality TV shows and many more, all within the shortest of timeframes.<\/p>\n
\nAlex continues his visual style deconstruction example from the previous module, in a firelight scene live demo that replicates a shot from \u201cThe Maze Runner\u201d.<\/p>\n
\nIn this module Alex discusses one of his biggest challenges on-set: Mixed color temperatures. He gives his three strategies to combat this, along with live demonstrations to show you the exact steps to take to ensure your shots are evenly colored and gradeable.<\/p>\n
\nContinuing the discussion on visual styles, Alex takes us through the different sub-genres within the popular \u2018Doc style\u2019, which has gained popularity in both narrative and factual filmmaking.<\/p>\n
\nContinuing to deconstruct Documentary-style, Alex takes us through some live demos showing how to recreate each in an interview setting.<\/p>\n
\nIn this module Alex walks us through four separate approaches to shooting a car spot, using the Lincoln Matthew McConaughey TVC and SNL\u2019s Jim Carrey parody as an example. He then shows us some techniques that even Hollywood feature films use to shoot car scenes without requiring huge budgets.<\/p>\n
\nAlex tackles one of the most difficult shots to shoot on a budget \u2013 the day exterior. Using the SNL sketch \u201cNew Day\u201d as a case study he walks us through a complete breakdown of how he lit and shot it all in just one afternoon. Afterwards we look at how to create contrast and control lighting in day exterior shots, using Alex\u2019s work on the SNL short \u201cSwiftamine\u201d as an example.<\/p>\n
\nContinuing his examination of various film genres Alex tackles one of the most popular \u2013 the music video \u2013 and gives his four rules for shooting them. After breaking down the SNL short \u201cWishing Boot\u201d, he takes us through a live demo shoot that provides a versatile approach for any music video. We finish the module by looking at high-key lighting examples, and a demonstration combining it with different flavors of filtration and diffusion.<\/p>\n
\nIn this module Alex focuses on lens selection, and the differences between still and cinema glass. He breaks down his work on \u201cDocumentary Now\u201d and how he achieved authentic looks by employing vintage lenses, and then gives a live comparison of a vintage lens next to a modern cinema lens.<\/p>\n
\nWith color correction being such an integral facet of filmmaking, Alex talks about it briefly in this module, sharing the precise correct order of events that he employs to ensure he gets the best results when correcting footage either on a solo project or when working with a colorist.<\/p>\n
\nMaking mistakes is an essential part to learning one\u2019s craft. In this module Alex opens up about his biggest on-set mistakes from dropping lenses, to under-exposing shots on his Academy-award nominated short film \u201cJohnny Flynton\u201d. He goes on to share his insights on how best to get hired for jobs.<\/p>\n
\nThe inflation of images in the modern world has caused a recession of meaning \u2013 we\u2019ve been overexposed to the point where a picture is no longer \u201cworth 1,000 words\u201d. This has made visual subtext all the more important as filmmakers and artists look to add more depth to their creations. In this module Alex gives his three rules to visual subtext, explaining how to add subtext to your film to make it more universal through case studies including \u201cThe Silence of the Lambs\u201d, \u201cGuardians of the Galaxy\u201d, \u201cGladiator\u201d and more.<\/p>\n
\nIn the final module of the course Alex looks at how to begin introducing visual subtext to your own works. He reviews the primary sources for subtext and gives examples of each, before concluding with an explanation of how he attempted to incorporate these techniques into his work on \u201cGreen Street Hooligans\u201d.<\/p>\n
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